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Xiang Li 中国传统绘画

Han Dynasty · 202 BC – 220 AD

傅皇后

傅皇后:浏览李湘艺术网站的中国历代皇后资料。本页正文暂为英文,完整译文待补充。

傅皇后

“The Cut Sleeve”

Married for her surname to an emperor who loved a man. Destroyed for the same surname by a politician who admitted she had done nothing.

Her Story

She was married to a man who loved someone else, promoted by a grandmother who used her, and killed by a politician who had no quarrel with her at all.

Empress Fu was chosen for her surname. Her father Fu Yan was a cousin of Consort Fu — grandmother of the young prince Liu Xin — and the marriage was arranged while he was still Prince of Dingtao, to bind the Fu family to a boy who might one day be emperor. In 7 BCE he was, and she became empress.

The marriage produced no children. The histories are unusually direct about why: Emperor Ai’s attachment was to a young official named Dong Xian, and the relationship is the source of one of the oldest euphemisms in the Chinese language. Finding Dong Xian asleep across his sleeve one morning and not wishing to wake him, the emperor cut the sleeve off his own robe. 斷袖 — “the cut sleeve” — has meant love between men ever since.

It is one of the few tender images the Han court produced, and it left his empress with a title and nothing else.

What power existed in that reign belonged to his grandmother. Grand Empress Dowager Fu spent it forcing the court to grant her titles she had no right to, elevating her relatives, and pursuing old grievances — chiefly against Wang Zhengjun and the Wang clan, whom the Fus had displaced. Empress Fu was the instrument of that alliance and had no say in how it was used.

Emperor Ai died in 1 BCE, aged twenty-five. He had no heir. What he left instead was a decree attempting to hand the empire to Dong Xian, which the court ignored.

Wang Zhengjun — grand empress dowager, in her seventies, and by now the only fixed point in the Han state — moved within hours. She summoned her nephew Wang Mang, who took the imperial seal, forced Dong Xian to suicide within a day, and set about dismantling the Fu family.

He would not allow Empress Fu the rank of empress dowager. He demoted her to commoner and ordered her to go and keep watch over her husband’s tomb.

She killed herself the same day.

The Hanshu is unusually plain about the injustice of it: she had taken no part in any of the intrigues. She had not sought her marriage, had no children to advance, and held no faction. Wang Mang destroyed her because of her surname, which was the same reason she had been made empress in the first place.

She is the last empress but one of the Western Han. Nine years after her death Wang Mang took the throne outright, and the dynasty that Lü Zhi had held together two centuries earlier was gone.

A note on the sources

Ban Gu wrote under the restored Han, with no reason to protect Wang Mang’s reputation — which is probably why the Hanshu states so bluntly that Empress Fu was innocent of the politics she died for. Her personal name was never recorded.

  • Ban Gu, Hanshu (Book of Han), ch. 11 (Emperor Ai) and ch. 97 — c. 111 CE
  • Ban Gu, Hanshu, ch. 93 — the Biographies of the Emperors’ Favourites
  • Sima Guang, Zizhi Tongjian — 1084

The Emperor

Emperor Ai of Han 漢哀帝
Born Liu Xin 劉欣 · 27 – 1 BCE · reigned 7 – 1 BCE

Nephew of the childless Emperor Cheng, brought to the capital as heir at eighteen. He tried, briefly and seriously, to reform a state already being eaten by the consort clans — proposing limits on landholding and on slave-owning that the aristocracy simply refused to implement. He then withdrew into his household, and his reign is remembered less for the reforms than for Dong Xian and the cut sleeve.

Why he matters to her story: the marriage was never about them. It was an alliance between the Fu family and a boy who might inherit. When he died at twenty-five without an heir, the alliance became a liability, and she was disposed of with it.

Connections

About this Portrait

ArtistXiang Li 李湘
MediumChinese watercolor on silk, hand-painted on hand-cut silk
Dimensions36 × 79 inches (91 × 201 cm)
Painted2012
CollectionThe Chinese Empresses Collection
AvailabilityOriginal held by the artist · Prints available
Xiang Li cuts each piece of silk by hand, so no two portraits in the collection are exactly the same size.

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