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Xiang Li Traditional Chinese Watercolor

Sign 5 of twelve

Dragon 龍 / 龙

The only one that isn't real

  • Bold
  • Generous
  • Ambitious
  • Unbiddable
A magenta-scaled dragon flying left to right through cloud and spray, whiskers streaming, jaws open, chasing a white flaming pearl at the top left corner. Beneath it the wave pattern that runs along the hem of an imperial robe. Watercolor and gouache on paper, by Xiang Li.

Eleven of the twelve animals you could meet. The Dragon you cannot, and it is the one everybody wants. It came fifth in the race despite being able to fly, because it stopped to make rain for a village that needed it — the story exists to establish the Dragon's character before anything else does.

Chinese dragons are water, not fire: they live in rivers and seas, they bring the rain, and they were the emperor's own emblem for two thousand years. The pearl the dragon chases through every painting of this kind is variously the moon, thunder, wisdom or the thing itself — nobody agrees, and the chase is the point.

Dragon years produce measurable baby booms across the Chinese-speaking world. The next one is 2036.

See also the studio's longer history of the Chinese dragon, dynasty by dynasty, at /dragons/.

The name in the corner

Right-hand edge, in black: the old form of 龍 — a crested head above a coiling body, one of the most immediately recognizable characters in the oracle-bone corpus.

Why oracle-bone script →